DELHI 360: Mazhar Ali Khan's View from Lahore Gate Book
Made in 1846, the painting commonly known as ‘The Delhi Panorama’ by the famous topographical artist Mazhar Ali Khan is the finest artistic rendering of Shahjahanabad ever made. It also affords a unique glimpse into the heart of the imperial palace in the Red Fort before much of it was destroyed after the 1857 Uprising. The 360 degree view of Delhi along with its extraordinary detailing of the cityscape makes the panorama not just an important historical document but also the masterpiece of its artist. The 5-metre long panorama, which is in the collection of the British Library since 1981, along with all the Persian and Urdu inscriptions has never before been published complete. Its publication here is accompanied by essays that put the panorama in its historical and artistic context with a commentary on the inscriptions that brings it to life. The book will appeal to scholars of Indian history especially Mughal history; anyone with a deep interest in the art, architecture, and history of Mughal India; and all Dilliwallas.
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Made in 1846, the painting commonly known as ‘The Delhi Panorama’ by the famous topographical artist Mazhar Ali Khan is the finest artistic rendering of Shahjahanabad ever made. It also affords a unique glimpse into the heart of the imperial palace in the Red Fort before much of it was destroyed after the 1857 Uprising. The 360 degree view of Delhi along with its extraordinary detailing of the cityscape makes the panorama not just an important historical document but also the masterpiece of its artist. The 5-metre long panorama, which is in the collection of the British Library since 1981, along with all the Persian and Urdu inscriptions has never before been published complete. Its publication here is accompanied by essays that put the panorama in its historical and artistic context with a commentary on the inscriptions that brings it to life. The book will appeal to scholars of Indian history especially Mughal history; anyone with a deep interest in the art, architecture, and history of Mughal India; and all Dilliwallas.
